Have You Seen Him

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A series of stickers referencing the events of the Sunflower Student Movement.

Today I wandered by the former American embassy, now the Spot Taipei Film House 光點台北電影院 in , and noticed this series of stickers on the electrical transformers across the lane. In bold lettering it says: HAVE YOU SEEN HIM. I wondered what it meant—and it seems I’m not the only one. Turns out the man in the photograph was one of the police officers involved in evicting people from the Executive Yuan 行政院 in the early mornings hours of March 24th, 2014, during the Sunflower Student Movement. He was caught on camera beating protesters and, when student leaders demanded the police identify the officer, they initially claimed to not know his name or whereabouts. Later it was revealed that the officer was not even relieved of duty in the aftermath of that violent night.

Imprisoned in the Endless City

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A piece by Alex Face around back at Huashan 1914 Creative Park.

Today I noticed some great new street art around back at Huashan 1914 Creative Park. With a little help from a friend I was able to trace this back to a November event hosted by POW! WOW! Taiwan featuring Thai street artist Alex Face. Pictured here is an incarnation of Mardi, a recurring bunny-suited baby inspired by Alex’s daughter. For more about the artist check out this interview.

The seeds of unrest

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Part of a mural by Taiwanese artist Liu Tsungjung 劉宗榮 in Dapu village.

Last night I went to Dapu Village in , the northernmost township in , for a concert and movie screening commemorating the treacherous demolition of four homes last year. The event took place on the former site of Chang Pharmacy, whose owner, Chang Sen-wen 張森文, was later found dead in a drainage ditch in an apparent suicide. This occurred not long after the government razed his home and business to the ground with all his possessions still inside. In a cruel twist of fate the Chang family was served a bill for demolition equalling the financial compensation offered by the government—leaving them with absolutely nothing. Eminent domain may serve the public interest in special circumstances—but this was outright robbery by the state.

The Dapu incident1, in brief: magistrate Liú Zhènghóng 劉政鴻 (pictured above, at left) ordered the expropriation of 156 hectares of land in Dapu Village in 2009, ostensibly to build a new campus of the Hsinchu Science and Industrial Park 新竹科學工業園區. Only 28 hectares were to be used for the park itself—the rest of that land was intended for residential use. In other words, the government seized land from 9452 households primarily to construct hugely profitable residences next to their shiny new industrial development, an obvious case of profiteering referred to as zone expropriation. Put simply: people’s lives were torn apart to line the pockets of a bunch of greedy politicians and their construction industry cronies, all under the banner of “progress”.

The injustice visited upon the four holdouts spurned protests, violent confrontations with the police, and a massive outpouring of public sympathy all across . While the protests were not enough to stop the government in Dapu (nor save Mr. Chang) they helped to plant the seeds of the Sunflower student movement that blossomed in March 2014 with the nearly monthlong occupation of the Legislative Yuan. In this respect the slogan “Today Dapu, tomorrow the government”「今天拆大埔,明天拆政府」 was remarkably prescient.

The mural in the photograph (above) was painted by Taiwanese artist Liu Tsung-jung 劉宗榮 on the bare wall where the Chang pharmacy used to stand. The figure on the left is Liú Zhènghóng 劉政鴻, widely reviled as one of the most corrupt Taiwanese government officials and the arch-villain in the Dapu drama, with a shoe on his head—a reference to when future Sunflower student movement spokesperson Chen Wei-ting 陳為廷 struck Liu with a tossed shoe as he attempted to attend a memorial service for Mr. Chang. On the right you can see the extraordinarily unpopular President Ma Ying-jeou 馬英九 in his PRC finery, decked out with a fancy beaded headdress3 typically worn by gods and emperors in Chinese culture. The blood-red star overhead is the emblem of the ruling Kuomintang political party of which both are a part.

I am neither academic nor journalist so I can’t say too much more (better leave that to the real experts)… but I will say this: I am glad that the Taiwanese people haven risen up against injustice in Dapu and in other places around the nation… and I feel very privileged to have witnessed some of these actions during my time here.


  1. To catch up on the backstory I highly recommend a series of posts on Ketty Chen’s blog: here, here, here (immediately after the July 18th demolition), and here (the tragic, heart-wrenching outcome). 
  2. I sourced this number from a completely tone-deaf article in the China Post. 
  3. Possibly known a miǎnliú 冕旒. I say “possibly” because I’m no expert in this sort of thing.